disarmed$550219$ - ορισμός. Τι είναι το disarmed$550219$
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Τι (ποιος) είναι disarmed$550219$ - ορισμός

PAINTING BY JACQUES-LOUIS DAVID
Mars being disarmed by Venus; Mars Disarmed by Venus and the Graces
  • Jacques-Louis David, Cupid and Psyche. While mythological in subject, the painting incorporates realism in its representation of figures.
  • Jacques-Louis David, ''Oath of the Horatii.'' The three soldiers are meant to embody masculine virtues with their determination and willingness to fight for a greater cause.

Armed and disarmed saccharides         
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Armed/Disarmed Oligosaccharide Synthesis; Armed/disarmed oligosaccharide synthesis; Armed and disarmed oligosaccharides
The armed/disarmed approach to glycosylation is an effective way to prevent sugar molecules from self-glycosylation when synthesizing disaccharides. This approach was first recognized when acetylated sugars only acted as glycosyl acceptors when reacted with benzylated sugars.
Mars Being Disarmed by Venus         
Mars Being Disarmed by Venus is the last painting produced by the French artist Jacques-Louis David. He began it in 1822 (aged 73) during his exile in Brussels and completed it three years later, before dying in an accident in 1825.
Cupid Disarmed (Watteau)         
PAINTING BY ANTOINE WATTEAU
Cupid Disarmed () is a c. 1715 painting, usually but not definitively attributed to Antoine Watteau.

Βικιπαίδεια

Mars Being Disarmed by Venus

Mars Being Disarmed by Venus is the last painting produced by the French artist Jacques-Louis David. He began it in 1822 (aged 73) during his exile in Brussels and completed it three years later, before dying in an accident in 1825. The work combines idealization with elements of realism. Specifically, David integrated the idealized forms of mythological painting with a realist attention to detail. This combination of two seemingly incompatible principles also plays an important role in the themes of the painting, most notably in its treatment of masculinity and femininity.

David sent the painting from Brussels for exhibition in Paris, where Romanticism was ascendant in the Salon. The painting initially received a muted response from critics, but over time its reputation has grown. It is now displayed in the main hall of the Royal Museums of Fine Arts of Belgium in Brussels.